Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Donate

FANON Now - On The Legacy Of Mirage Enigmas Of Race, Difference & Desire

1 Oct 2015

In 1995 ICF’s Creative Director David A Bailey curated the exhibition Mirage: Enigmas of Race, Difference & Desire at the ICA in collaboration with Iniva. This landmark project marked a moment of considering the importance of Franz Fanon and ways in which his writings on post-colonialism, identity, cinema and psychoanalysis intertwined with artistic practices and race.

Research into the legacy of this project has been made possible with funding from the Arts Council England and part of that research involved a discussion event held at Live Art Development Agency on 1 October 2015 with artists from the original Mirage project and artists from subsequent generations, in order to reflect on the contemporary moment in relation to structural violence, de-colonising culture and relations, and the power of aesthetics and its explorations of complex formations of racial identities.

This became a timely opportunity to look back at Mirage and review the present and future conditions in relation to the thematic structure set up by the original project.